Eggeman Road

My parents still live in the same house in Fort Wayne in which they raised me.  There is a familiarity to the house and the neighborhood, but everything else has changed. 

Cornfields, pastures, and narrow country roads have given way to homes surrounded by cement roads, strip malls, bigger schools, parks, trails, stoplights, and churches.  Peace Church, where I was confirmed and then married, used to be the only church in the area.  Now, including Peace, there is a Lutheran church, a giant Catholic church with attached school, and three different Baptist churches all within two miles of each other.  As I ran the path alongside the roads that I used to see outside the school bus window, I was struck by several things:  some homes looked just the same in my memory; distances seemed far shorter, and many changes were marked by prosperity, Midwestern style.  Big homes with three-car garages and lots of acreage. 

Eggeman Road connects Covington Road with Aboite Center. When I used to ride the school bus (always known as Bus 10), it was marked by beat-up looking farmhouses and pastures marked by sagging fences.  There was a girl who lived in a faded green house with dark green trim who always sat by herself.  We refused to sit by her because she smelled as if she didn’t bathe regularly and disappeared into the special education classes once we got to the school.  My feelings toward this girl were marked by disgust and fear.  I dreaded when the bus was crowded and that she might sit in my seat—as if her smell or disability would rub off on me.  As I think back on those times, it is her isolation, the turning her back on the rest of us and looking out the window, that stands out to me.  And shame that I could be so mean.

Ironically, I often isolated during this time in my life as well.  I enjoyed the bus ride to school, because I could often sit alone and look out the windows and dream.  Who lived in those big houses in Covington Lakes?  Did they have kids?  Horses?  Did they swim in the pond in the summer and skate on it in winter?  How about the large house off Covington Road owned by a famous Fort Wayne family?  Did they really have their own zoo?  I judged myself on the axis of those whom I thought had it better, like these folks, and those who had it worse, like the kids who lived on narrow, graveled Eggeman Road. 

Eggeman Road also provided moments of fear and hilarity.  One time, George, our bus driver, got stuck in the snow by the green farmhouse.  He couldn’t get us out at first so called for another bus.  After waiting for about 30 minutes, the other bus pulled up just as George rocked us out of the ditch. 

George was a retired farmer with a nimbus of white hair surrounding his bald head and old man’s potbelly.  He wore a gray bus driver’s uniform and was not afraid to stop the bus and walk menacingly down the aisle if he sensed some misbehavior going on.  I felt safe, cared for, and even a little afraid when he would threaten to throw a kid off the bus who was being mean to somebody else.  He also cleaned up the bus when somebody got sick.  On the way home one day, Jimmy Ayres threw up in the hump seat, or the seat fourth from the back that was directly over the wheel well.  I was sitting across from him, and it was evident that Jimmy had had corn for lunch.  George gently escorted Jimmy off the bus, cleaned him up, and brought out the ammonia solution with a distinct smell that I will forever associate with school restrooms and buses.  Jimmy was still crying with the shame of it and we teased him for weeks after that (hiding it from George, of course).  By mutual and unspoken consent, nobody sat in that seat for a long, long time, as it became known as the “throw up seat.” 

George’s major claim to fame is that every Halloween he bought a box of giant Hershey bars and gave each of us one.  It was a huge treat to swing off the bus, grab a bar, and say, “thanks, George.”  It feels disrespectful to me now that we, even in kindergarten, called this man by his first name. 

Somewhere around middle school, Bus 10 gave way to a bigger bus with a flat front and higher number that I could never remember.  The route changed, and eventually I escaped the indignity of riding the bus and got rides from my neighbor Lisa, who drove a tiny Honda and was partial to Phil Collins and James Taylor on the tape deck.

Eggeman Road is now paved, and the green farmhouse where that girl lived is gone.  As I ran by on the sidewalk that never existed before, I thought I saw the driveway going back into some gnarled brush, but am not sure.  Eggeman has become an upscale address with stately brick homes sitting far back from the road, protected by iron gates.  It is a different place.  I no longer am envious of the people who live in those kinds of homes, and my wonderings have changed:  what happened to the girl and her family? What is the significance of all these homes replacing fields and pastures?  Why does southwest Allen County repel me as I run by the churches, showy homes, and endless pavement?  Why does it attract me when I talk to the people who go to Peace and the Y? 

If I could change anything at all about who I was then (and who I am now), it would be to appreciate what I have and not wish for something that seems to be better.  Growing up in Bittersweet or Covington Lakes or Devil’s Hollow seemed romantic and exciting, but Covington Knolls provided nights sleeping in the backyard, neighborhood games of Kick of the Can, and playing in the cemetery across the street.  Who could ask for anything more?         

Hard People and Easy People

I’m not easy to live with

I know that it’s true

You’re no picnic either, baby

It’s one of the things I loved about you

                        From “All the Love in the World” by Don Henley

A few weeks ago, I heard someone say that her friend has “hard” kids, meaning that they were difficult to deal with on an emotional level.  That made sense to me:  some kids—and grownups—are high maintenance and some are low maintenance.

When I think about the easy and hard people in my life, I see them on a continuum.   Some are easy most of the time, and it is just certain contexts or situations that make them hard to deal with or be around.  Fewer are easy all the time.  And some are just plain hard. 

What makes a person hard?  Looking at my students, it is mostly about anxiety.  The ones who need constant attention and reassurance, and no matter how much I give, it is not enough.  They are perennially disappointed in me as their teacher, no matter how long the emails and nurturing the dialogue.  It has been a journey for me to figure out that it is their problem, not mine.  I will never fill the gap in their lives.

There’s also the unpredictability factor.  I have been in situations where I thought there was mutual understanding and respect, just to find out that no, the other person does not have the same view of the relationship.  A lot of this is about blindness based on a particular view of the self and of the world. 

Then there are those of us who project their fears onto others.  They interpret any dissonance as a personal slight.  Long ago, I had a colleague, whom I will call Amanda, who was hurt if she thought she was not invited to lunch.  I remained friends with her even when I moved a thousand miles away.  Amanda said she valued our friendship, but I always felt as if I was not living up to her expectations.  It was work to be her friend.   And when I told her I could not fly back to attend her daughter’s wedding, which was during the first weeks of school, she refused to talk to me afterward.  I did not live up to her idea of what friends do.  It was her projection, not any misdeed on my part.  It still feels bad, though.    

My principal used to say that all students brought baggage with them to our alternative school.  My colleagues and I brought our own baggage as well.  In secret, I named our school “the Island of Misfit Toys” because teachers and students were just a bit too weird to be in the mainstream.  It is disingenuous to think that we, as grownups, have left our baggage at some proverbial train station, and thus are easy, leaving our hard parts hidden in the dark recesses of our minds, or the privacy of our families and writing journals. 

Unfortunately, though, we take our baggage with us wherever we go, and it is visible to others who know how and where to look. While I did not have the language at the time, I knew Amanda was hard from the first weeks of working with her.  She felt her colleagues were conspiring against her, and her voicing of those perceptions made her anxiety and fears obvious to the rest of us.   

As for myself, I thought I hid things pretty well until I started taking yoga.   I was horrified to realize my baggage had a physical presence that was visible to my yoga instructors who gently and insistently instructed the class to drop our shoulders, soften our expressions, and unclench our jaws.  It felt like one of my dirty secrets was revealed.  Anybody who knew how to look could see the real me:  I sure ain’t easy. 

So what about you?  Where are you on the continuum of easy and hard?

Life's not Fair.

Life’s not fair.

The answer is:  It depends.

These phrases used to frustrate me, and now frustrate my candidates as they ready themselves for student teaching.  They want things to be smooth and clean.  Predictable.  The textbook/lesson plan/mentor/principal/internet has the magical answer. Given that belief, they feel confident in their ability to teach.  They feel ready to leave the nest and head into the wilds.  And yet, and yet.  They are about to be hit hard with the knowledge of how much work it takes to be a good teacher.  How you plan the best lesson ever, and it will bomb.  How some students will not buy what you are selling, and it has nothing to do with you.  How one reading strategy will not transfer from one text to another, one management tactic will not transfer from one class to another, how your relationships with individuals and classes evolve and devolve in seemingly random ways. 

My cooperating teacher, who became my friend, principal, and first mentor, said it simply: Life’s not fair.  There are many promises based on the same premise as the American Dream:  if you work hard, you will achieve your goals.  If you are fair, respectful, and know your stuff, students won’t smoke pot in the neighbor’s yard, or fight on a school trip, or come to school drunk.  Uh-huh.

But then you will have an oppositional student who later becomes an English teacher, she says, because of you.  Or you will have a candidate who did not get along with either of her cooperating teachers and who is now applying for National Board certification.  These balance the kids you had to kick out of school and the candidates you had to kick out of the program and blame you. 

I remember being shocked at the idea of nature being nondiscriminatory.  I somehow had the idea, perhaps because it was called “Mother Nature,” that nature was benevolent and kind, like some kind of divine goddess with flowers woven in her hair.  It’s taken me a long time to reconcile that nature is many opposite things—beautiful and ugly, calm and violent, loving and angry.  There are patterns, but these patterns are not regular and predictable, as was reiterated this year with its tornadoes, hurricanes, and snowstorms. 

Teaching is like that.  There are patterns, but they are not set in concrete.  No student is the same day after day; no lesson is the same from one year to the next; and no routine is eternally effective. 

While I am happy my candidates feel confident and ready in their pedagogical content knowledge, I also know that they are about to find out the secrets of teaching that keep some of us in the profession and drive others away.  Teaching is unpredictable, and the answer to most questions is…It depends.

Musings on Middle School Students

Middle school kids have a bad reputation.  Supposedly, they are ruled by their hormones, and in general, are a little crazy. 

Looking back at my own experience, that never made sense to me.  If I was ruled by my hormones, I sure didn’t know it.   This could have been because my mother explained sex by talking about eggs, at which point I was confused.  “Like a chicken?”  I asked.  The whole conversation was about fertilization, but I never quite got the connection to my body and a boy’s body until I heard the baseball metaphor.  You know the one:  first base is french, second base is feel…and I’ll stop there.  Listen to Meat Loaf if you need more information.   Boys definitely became more interesting, but looking back on it now, it wasn’t a physical thing, but more of an attention thing.  My first sloppy spin-the-bottle kiss at an eighth grade Halloween party did little to make this change. 

This week, as I observed teacher candidates teach in two different middle schools, I saw clear physical, attitudinal, and cognitive differences from 6^th-8^th grade, and even in the same classroom.   Some of the girls looked like they should be in high school, including the 8^th grader who sat down with a heavy sigh and said to her teacher, who was sitting next to me, “I’m ovulating.”  The boys sitting in her group didn’t blink an eye—not a blush or an eye roll.  Did they understand?  Had their fathers given them the same talk my mother gave to me, so they had no idea what that even meant? 

In contrast, I watched a 7^th grade girl in another class use a broken piece of plastic to search around in one nostril, observe what she found, and then stick it in her mouth. 

I worry about the girls.  Some of them are miles ahead in maturity, height and weight.  Being in middle school must feel like poor fitting jeans, when you move from “juniors” to “misses” and realize that your body has outgrown who you have been for so long.  Middle school, with its necessary structures and explicit rules meant to nurture and support children as they move from childhood to adolescence, must feel restrictive and a bad fit.

But boys can also be mature.  At an urban school, I saw that some of the boys had the name “Jose” etched into their haircuts.  I just assumed there were a lot of Joses in the class.  But when I discovered one of the boys’ names was Francisco, I realized that these kids were paying homage to their friend and classmate who had been killed by a gunman who had come to his front door looking for his brothers.  When Jose opened up the door, he was shot multiple times.  His friends paid tribute to him the only way they knew how.  It was beautiful, and it was heartbreaking.  Death is not unusual to these kids.

The most poignant moment came after class, when three of the boys came over to me and shook my hand.  I have observed teacher candidates for over six years now, and this has never happened.  I was touched by these students’ dignity and adult manners.  These were children, and they took the time to come over and talk to me, even as they were in the midst of being at school and grieving for their friend.  As my mother would say, bless their hearts. 

The Otsuka Effect

Sometimes I tell myself I am just too busy to attend the many events that take place on this campus, as appealing as they often are.  Luckily, I had to attend Julie Otsuka’s talk this week. 

Julie Otsuka wrote When the Emperor Was Divine, this year’s text for Open Books, Open Minds, a campus-wide endeavor to get all faculty and students to read a common book.  As a member of the OBOM Committee, I was skeptical of the book at first, thinking it too quiet for college students, especially the freshmen who are required to read it.  But that was before I read the whole thing and discovered that yes, while it was quiet, it was also powerful. 

This novel tells the tale of a Japanese family sent to the internment camps during World War II.  We hear from each of the family members: the mother, the daughter, the son, and finally, the father.  Julie (after seeing her speak, I can’t bear to call her Otsuka, or even Ms. Otsuka—it feels too formal) said that she did not write the novel to make a political statement, although her grandparents, including her mother, who was 11 at the time, were sent to the camps from 1942-1945.  Instead, she said the novel was a way to get to know her mother.  In fact, Julie hesitated to tell this story at all, as she was not sure she had the right to do so, not having personally experienced the camps herself. 

I appreciated the care and humility with which Julie approached her subject.  For example, she chose not to name the characters not only to represent their loss of identity—the family was assigned a number at the camp—but also to preserve their dignity. As she put it, the characters got to keep their names to themselves.  It was an act of privacy she could offer.  The same thing has happened to me when I have attempted fiction.  My characters rebel against the parameters I have given them and start behaving in unexpected and sometimes disturbing ways.

As a writer who struggled with a 40 page article on-and-off for three years, I felt validated when she said it took her five years to write the book, and two years to finish the long chapter in the middle.  Julie described her writing process, which involved hours in a coffee shop writing longhand, typing up her notes later that night at home, and then going back to the coffee shop to edit.  One paragraph might take a week, and then she might throw it away anyway. 

After her talk, I told a friend that I wanted to be Julie Otsuka when I grew up.  It is not just because my dream has always been to be a professional writer, but because of how she talked about writing.  How she talked about her family.  How she talked about her characters. 

Julie has motivated me to revisit the characters I abandoned months ago and see what surprises they have in store.  I don’t care if the story ever ends, whether it has enough dialogue, scenes, or a believable plot, much less get published.  I just want to see where these characters take me.  Thank you, Julie Otsuka, for your inspiration.  And congratulations on your National Book Award nomination for The Buddha in the Attic.  I look forward to reading it.      

The Legacy of Women

This year’s Nobel Peace Prize winners are all women, which I believe is a first.  The Nobel Committee is to be commended, because this award is well-deserved:  http://www.nytimes.com/2011/10/08/world/nobel-peace-prize-johnson-sirleaf-gbowee-karman.html?_r=2&hp

Reading these women’s stories got me thinking about my colleagues.   The women in Educational Studies are fierce, smart, ethical, and strong.  In considering the amazing work they do, I am reminded of my own family members.

My mom, Helen, will be turning 77 this week.  She was born and raised in Decatur, Georgia, and spent her girlhood summers in south Georgia. She came up North to Indiana University to get her graduate degree in piano and met an Indiana farm boy in the dorm cafeteria who was working on his MBA.   He bought her first legal drink, along with a bunch of illegal ones before that.  They got married, despite the fact that he was a Yankee.   

What you may not know about southern women of a certain age is that while they may have been bred to be nice, helpful, and all those other traditional feminine qualities, you don’t want to mess with them.  The movie Steel Magnolias didn’t quite capture it, according to Mom, but at least it had the right idea.      

The best example of my mother’s iron will (forget steel—that’s not strong enough) happened before the fall of the Berlin Wall.  She was a church choir director, and also directed a city-wide choir made up of members from many different churches who would sing at special corporate and nonprofit events.  Her church connected with a church in East Germany, and when Mom found out they didn’t have a set of hand bells, she found this upsetting.  EVERY church should have a set of hand bells, as music is an essential part of any church service, and bells were a beautiful and necessary addition.    

Mom spearheaded a monumental fundraising and organizational process, which included booking travel and lodging for 40 people to travel across Germany singing and sightseeing.  Despite all of her preparations, which included plenty of contact with Senator Birch Bayh’s office, they were stopped at Checkpoint Charlie.  The choir spent several scary hours stuck on the bus as the soldiers searched their luggage and rummaged through the velvet-lined cases holding the bells.  I do not know why they finally allowed the Choraliers through the barbed wire and concrete, but I am pretty sure a small gray-haired lady from the South charmed or shamed them into it.  The church congregants were grateful, and the bells continue to ring there, even today.  

My dad is used to strong women.  His mother, Marie, became a schoolteacher in a country school in southern Indiana.  At that time, she did not need a degree to teach (bizarre, I know), but she wanted to be a better teacher and spent her summers at Indiana University and teaching during the school year.  This was in the 1920’s, when very few women earned college degrees.  When she met my grandfather, they had to elope to Kentucky because schoolteachers could not be married.  They came back and she continued to teach for awhile.  Later on, after raising three boys, she retired and wrote columns for local papers on women’s issues. 

While the women in my family would never name themselves as activists, they are strong in their beliefs, their work ethic, and that they have something valuable to contribute to the world.  A worthy legacy indeed.

I want my own laundry basket. Or not.

My cat Juno likes to sleep in a laundry basket on our kitchen table.  If you are not an animal person, or you are a meticulous housekeeper, this probably alarms you on multiple levels.  However, black tumbleweeds of fur rolling across the placemats aside, it is clear that this laundry basket, with just a couple of layers of Nels’ jeans in the bottom, serves as a refuge for Juno.  It is here that she feels safe from any threat, the chief one being her adopted brother, Mr. Spock. 

Mr. Spock is twice her size, and can’t seem to figure out that Juno is neither prey nor predator.  A year of separate feeding stations, litterboxes on two different floors, copious amounts of Feliway (designed to calm cats), and small dosages of Prozac have not alleviated his anxiety and aggression toward her. 

Regardless of whether Spock is around or not, Juno spends most of the daytime hours in her basket.  Sometimes Spock lies on the table outside the basket, all stretched out, but that doesn’t seem to bother Juno.  She’ll open her green eyes, yawn hugely, and then snuggle even deeper into the jeans.  The basket is a safety zone.

When my friend Jenn came over to work on an accreditation report on a recent Saturday, we decided that we wanted our own laundry baskets.   A place where there are no demands made, no emails to answer, no list of tasks to be checked off.  A place to curl up and observe the world outside, or maybe just relax.

But a recent conversation with one of my favorite teachers got me to quit looking at Juno with envy when I leave the house for work.  This teacher said that she just recently went to Iggy’s Doughboys in Warwick, and in spite of living in Rhode Island for 25 years, that was her first time at that venerable institution.  She said, “I just keep going around and around on my donkey path on the East Side.”

Those words resonated with me.  I have my own donkey path up and down the I-195 corridor.  Home-RIC, RIC-Home, visit some schools as needed, occasionally go out with friends, usually in Providence.  When I have to go over to South County, I get nervous because the way is unfamiliar.  Part of my anxiety stems from the fact that Rhode Island is chintzy with street signs and I have no sense of direction.   I often feel uncertain or lost, even with my GPS. 

My donkey path, though, is not just literal.  It’s metaphorical too.  I used to have a friend who would say “I’m a slave to my body” when I would tell her about some crazy diet I was on.  Her point was that she was going to eat what her body wanted, while I was trying to force mine to eat more cabbage and less chocolate.  I’m still not a slave to my body (it gets all the chocolate it wants, though), but I’m a slave to my routine.  I wonder why I can’t think of anything to do on Saturday or Sunday afternoon but work, and then I blame work.  As the saying goes, though, “It’s not you, work, it’s me.”     

Yup, it IS me.  As emotionally demanding and time-sucking as this job can be, I can still choose to have a rich and productive life, and  say no to things that I don’t really need to do.  Nobody is keeping score but me.    

Somehow, I have to break my weekend pattern of resisting going anywhere that requires makeup or extroversion.  I want to go to the beach.  I want to go to the zoo, King Richard’s Faire, and the Factory of Horrors.  I want to go to plays, movies, museums, drinks and dinner.  I want to go to Boston, Mystic, and Concord, MA, to visit my old friends the Transcendentalists, or maybe just Iggy’s.  So let me know if you are interested, and we can go together.