While I am not particularly comfortable with the dying, I
get along okay with the dead. I grew up
across the street from Covington Memorial Gardens (“Gardens” being a nice
euphemism, kind of like “passed away” for died), and spent my childhood
climbing on monuments, kissing statues, visiting geese at the pond, and
running the mile loop of cracked pavement.
Once, I was sure I saw a guy wearing monk’s robes in the adjacent woods
where the cement vaults were stored.
It
seems I can’t stay away from burial grounds, as we now live within a mile of
two cemeteries. Within one block, right
across from the high school, is St. Mary’s, where the graves are laid out in
orderly fashion with mostly gray headstones, some considerably weathered,
others shiny, grief newly etched in painstaking lettering. Flags sprout up in the veterans’ section for
Memorial Day and July 4th. There
is a sense of order and dignity in the luscious green lawn and uniformly shaped
markers.
The second cemetery, Juniper Hill, is about half a mile
down our street the other way. There is
a short drive to a wrought iron gate surrounded by a 19th century
stone wall. The grounds feel, and are, historical. Stately. But then you see that many of the
gravestones are haphazardly strewn about, like boulders in a field. Large tree roots from junipers and weeping
birches compete with markers for space, wood shifting stone.
When we first moved to Bristol, I was appalled at the
condition of the gravestones, many of which were listing
sideways, sinking into marshy ground, or crumbling. Some stone caskets are above ground, and
curiosity warred with fear as I investigated inch-wide cracks across the
top. No rotting wood or powdery remains
revealed themselves. I am not sure
whether I was more disappointed or relieved.
This weekend, though, as I walked through the burial ground,
alone except for the teenage couple in skinny jeans and punk hair (his was red,
hers was green), I appreciated the symmetry of the place. Instead of graves laid out in solemn rows on
flat land as if a farmer or accountant had arranged them, the place felt
organic, and—irony aside--alive. The
dogwoods glowed with bright white flowers even on this cloudy April
afternoon. Bouquets of daffodils,
tulips, and hyacinth cheered up some gravestones, and shoots of lilies and hostas
promised new life for others.
I came here to visit the magnolias and mourn the weeping
birch who lost its best feature in the February blizzard—a long, well-muscled
arm of a branch reaching horizontally across the ground. The branch had been sliced into stacks of fireplace
logs next to the caretaker’s home. I
once heard him say this was his favorite tree.
I
wandered among the graves, pausing at some of the inscriptions. My favorite was for Susanne Robbins DeWolf,
1930-1983. A sturdy stone bench had been
erected in her honor, with the following words:
AN
INQUIRING HEART
COURAGE
TO WILL AND
SPIRIT
TO LOVE
This seemed like the perfect place to pause. The birds got louder as I got quieter, and the
beauty of the place sank in as I contemplated the many souls around me. The small graves with initials only, the
impressive bench on which I sat, the large monuments dedicated to the important
people of Bristol, including various Colts (related to Samuel Colt, who
invented the Colt .45), DeWolfs (a seafaring family, some of whose wealth came
from the triangle trade) and Bradfords (a Rhode Island governor is in that lineage). The beauty of this place, though, is not in
the shape of the monuments or names and dates faded into stone, but in the
allowing of nature and the dead to co-exist with a minimum of interference.
Does this make Juniper Hill spooky? Lonely?
Quiet? Yes, yes, and yes. But maybe death is a little spooky, lonely,
and quiet, for the person being mourned and for the mourners. I have become reconciled to what I originally
saw as carelessness and disrespect for the dead here, the allowing of stone
markers to melt into the earth. Now I
see the process of nature unfolding and cracking the human sense of
permanence. If we have what Susanne
brought to the world, “an inquiring heart, courage to will, and spirit to
love,” then we do not need even a fine stone bench to memorialize our lives and
our passing. It is enough to have lived.